vistaoral
Etiquetados:VISTA ORAL AT ACID–FREE ART BOOK MARKET
May 4 to 6 we will at LACA’s booth during Acid-Free. Art Book Market. Come and say hi and have a look to our publications!
PARCHE VISTA ORAL PATCH
Siempre es importante cuestionarse las imágenes que se nos muestran, y si mientras lo haces nos ayudas a subvencionar nuestros proyectos autogestionados menos existosos, pues mejor
INDIGESTION, OBSESSION AND OTHER (NECESSARY) ARCHIVAL EVILS by VISTA ORAL
Maite Muñoz – Ever since I can remember I’ve had a slight tendency to OCD, the disorder that – among many other ludicrous things – makes you obsessively align objects on your desk several times a day, or invariably underline books with a ruler. The more or less metaphorical con..
REALIZAR UN PAPEL . 21 de abril, 2017- 21 de abril 2042.
Hemos basado un proyecto con Enric en Los Papeles del Siglo, justo cuando ya no existen como materia (salvo alguno escondido aún, como el de la Biblioteca Antoni Tàpies). Planeamos hacer una exposición en Los Angeles, así, con ideas y ganas. Tenemos varios encuentros para perpetrar esto.
EL LIBRO: INÚTIL#2: ENRIC FARRÉS DURAN. REALIZAR UN PAPEL. Ed. Folleto
La publicación INÚTIL#2: ENRIC FARRÉS DURAN. REALIZAR UN PAPEL es uno de los resultados del periplo de Enric Farrés y Vista Oral en Los Ángeles durante el mes de abril de 2017.
THE BOOK. USELESS#2. ENRIC FARRÉS DURAN. PAPER PLAYING A PART. Folleto Publishing House.
The publication USELESS#2: ENRIC FARRÉS DURAN. PAPER PLAYING A PART is one of the results of Enric Farrés and Vista Oral trip to Los Angeles during April 2017. The publication –along with the exhibition that formed part of– is another turn of the screw to Los papeles del Siglo project.
ANTONI HERVÀS and VISTA ORAL – WHAT IS THAT CALLED? PUSSIES ON WHEELS
Antoni Hervàs draws from his personal experience to turn everyday life into extraordinary narratives through an expanded concept of illustrating. Hervàs places his body in the center of the action as a collection of memories, techniques and modus operandi. Drawing helps him build a mapping experience from a nonlinear temporal structure, made up of fragments which cut, paste, color and overlap by taking advantage of the transformative power of drawing and the filter of memory.
USELESS#2: ENRIC FARRÉS. PAPER PLAYING A PART
Good morning, I am Enric Farrés Duran and I will now explain what I have brought for you. Well, the first thing that I want to explain is that I work in an enormous secondhand bookshop (…) At first I was very excited, but as usually happens when working with set schedules, it ends up being boring. Boredom that disappeared one day when, in a book, I found a very disturbing paper.
INÚTIL#2. ENRIC FARRÉS. REALIZAR UN PAPEL
Buenos días, soy Enric Farrés Duran y ahora os explicaré qué os he traído. Pues bien, lo primero que os quiero explicar es que yo trabajo en una librería de segunda mano (…)Al principio estaba muy ilusionado, pero como acostumbra a pasar con los trabajos con horarios fijos que uno se acaba aburriendo. Aburrimiento que desapareció el día que, dentro de un libro, me encontré un papel muy inquietante.
USELESS#1: FERMÍN JIMÉNEZ LANDA
29.10.2016- 15.11.2016.
Fermín Jiménez Landa. (Pamplona,1979)
Fermín Jiménez Landa, works in performance, public intervention, video, installation or drawing. He uses equivalence, inversion and substitution processes that make us see reality from an equidistant point between absurdity and wisdom, charming and iconoclastic, empirical and unverifiable.